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Kerry Muzzey is a film and television composer who works primarily in orchestral and hybrid-orchestral scoring, mixing a modern-classical sensibility with traditional orchestration. His style covers the range from a haunting, poignant Thomas Newman-like sound to the massive epic orchestral sound of a James Horner or a Hans Zimmer to the quieter, more toned-down minimalist sound that one might expect from a Max Richter. The style and the mood are always filmic and are meant to evoke emotion, like an already-composed filmscore just waiting for the right movie to come along.