It took seven years from the time Reed Morano graduated from NYU’s film school to the time she worked as a DP on the Academy Award-nominated film Frozen River. Seven years to begin making the work she wanted to make. Which is why when we asked her what advice she’d give to a young filmmaker, the first thing she said was perseverance.
Some people know what they’re going to do with their lives before they’re old enough to drink a beer. Some of us take a little longer. Autumn Durald didn’t decide to be a director of photography until after she’d graduated college, traveled the world, and held a steady job in advertising. Once she’d made the decision, though, she didn’t look back. Since then, she’s lensed everything from major motion pictures (Palo Alto) to documentaries (Portraits of Braddock).
The tagline at the end of Volvo’s new ad, “Moments,” says: Sometimes the moments that never happen matter the most. If there’s a corresponding idea in filmmaking, it might be this: Sometimes what you don’t show is the most affecting. In “Moments” — an ad as heartwarming/heart-wrenching as any we’ve ever seen — a young girl speculates about the rest of her life before starting her first day of school. What friends will she make? Where will she travel? Who will she meet? What unfolds is a fantasy within a fiction: an entire life in less than four minutes. What you see is beautiful, striking even. But ultimately, it’s just a stencil for what you don’t see. The story — the girl’s life — is the negative space.
At some point on the way to becoming who we want to be, we have to stop being who we were. Muhammad Ali had to stop being Cassius Clay. Rachel Morrison had to stop working on The Hills. And Katelin Arizmendi had to stop being a camera assistant. “I moved to L.A. and I decided I wasn’t going to introduce myself as a camera assistant ever again,” Katelin told us. “I only wanted to shoot.”