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Who hasn’t had to scale back an epic film project knowing there is no way to actually pay for it? Between quality actors, a camera crew, makeup artists, stunt doubles, and you name it, the cost of a film adds up fast. But, thanks to great crowdfunding platforms, there’s no better time to pitch your film to potential patrons and help your film go the extra mile.

There is no shortage of incredible films out there just waiting to be made. Weird films. Beautiful films. Films unlike any we’ve ever seen. But without funding, many of them will never see the light of day. Recently we’ve been reminded of all the amazing films that have come into the world thanks to grants and fellowships and other alternative forms of funding. Stories are more than a commodity, and that’s why we’re so passionate about them.

There’s maybe no one more qualified to be leading the charge for independent filmmakers these days than Jim Cummings. Since we talked to him a year ago, he’s gone on to make his first feature, Thunder Road, and win the Grand Jury Prize at South By Southwest. The film is currently sitting at 97% on Rotten Tomatoes. It’s already generated $500,000 in ticket sales in France alone. Maybe most notably, though, he and his crew made it on their own — no major studio, no executives, no distributors. It’s an independent film in the truest sense of the word. Let’s just say, he’s fired up about that:

Prospect isn’t just a good film for first-time directors. It’s a good film, period, which is a rare feat for any filmmaker, especially those who haven’t tackled a feature before. So, when we saw the immersive, haunting sci-fi film, we decided to track down its two directors, Zeek Earl and Chris Caldwell, to see what they had to share about their experience. Luckily for us, it turns out there was quite a bit.