After Ford Vs. Ferrari, Phedon Papamichael, ASC shares about augmenting a vision, restaging historical events, and capturing a different piece of Americana.
Generally, the words “what did you shoot this on” are frowned upon around Musicbed. We’re generally a bit more interested in the ‘why’ rather than the ‘how’. But, when you get a film like The Lighthouse, it’s nearly impossible to separate the two. Its visuals are haunting, mystifying, and incredibly intentional according to cinematographer Jarin Blaschke.