There are a lot of conversations surrounding the Vimeo Staff Pick, but no one in the indie film community can question its importance. For many creatives that elusive badge has been the starting point for their career, the moment when they get noticed.
A few months ago, we were talking with Vimeo’s creative director, Jeremy Boxer. We asked him what he was most excited about, and, without hesitating, he said Vimeo On Demand — Vimeo’s newish service that allows filmmakers to sell their work directly to their audience. Vimeo On Demand, he told us, is going to radically change not just the economy of filmmaking, but films themselves. We asked him what in the world he was talking about. “I think the first thing it’s going to do is erase the idea of traditional formats,” he said. “We’ve had filmmakers who’ve made 35-minute films about a specific subject for a specific audience, and they’ve done better than some feature films. It [becomes] more about the storytelling. I think you’re going to start seeing a lot more odd-length projects coming out in the next couple years.”
“When you have that synchronicity between the picture and the sound, it transcends everything else,” Jeremy Boxer told us. And Jeremy knows. Not only is he a filmmaker himself, but he works as creative director of Film & Video for the most beloved video hosting site in the world: Vimeo. We thought Jeremy would have a good perspective on film, music, and the alchemy that happens when the two come together.
For a lot of people, Vimeo’s launch changed the game. And for a talented few, Vimeo Staff Picks launched careers. Since their inception, the clout of the Staff Pick has only grown. Its influence now extends far beyond Vimeo’s servers. Major Hollywood directors like Wes Ball (The Maze Runner) and David Green (Earth to Echo) got their starts thanks to Vimeo’s nod of approval. And more than a few of our friends have had their lives changed by that now-hallowed seal in the top-left corner.
Do you have what it takes to compete against other top editors? The 2017 Filmsupply Challenge is here and we’re calling on you to put your skills to the test and compete for prize packages in 8 different categories.
This is something we all know is true: Wedding films are growing in popularity. We’ve seen it. You’ve seen it. Rachel Silver, founder of Love Stories TV, has definitely seen it. Through her platform, she’s seen demand increase along with the quality of content and her team has helped bring wedding films to the forefront of the wedding scene.
We’re suckers for great documentaries, and there’s no shortage of them right now. From incredible true-crime podcasts (sup, Serial!) to the latest Herzog masterpiece, Lo and Behold, this really is the golden age of documentary. These films are not only fascinating and beautiful, but they’re creating actual change. Recently Brendan Dassey, one of the subjects of the documentary series Making a Murderer, was released from prison after more than a decade. (He was supposed to serve a life sentence.) Serial’s Adnan Syed is getting a new trial. That’s part of what’s so addicting about the form. These stories make a real difference. They throw their weight around.
Welcome to the first-ever Musicbed Top 5, a rundown of our favorite short films featuring music from our artists. Hearing their work in great videos is one of the most rewarding things we get to do and we’re excited to share a few of them with you. This rundown is just a small sample of the work we’ve seen on Vimeo recently, and you can watch even more in our Musicbed Collection on Vimeo. We went with a decidedly sports-oriented version this time around, but as you’ll see in these films, they’re about so much more than that. Enjoy these incredible short films, and be sure to let us know what you think in the comments below.
Tom Levinge’s comedic short, Mister Biscuits, is silly. It suspends reality by putting humans in the roles of beloved pets. There’s the occasional poop gag. And it’s unapologetically a “dog movie,” whereby the power of one’s pet’s affections is strong enough to help the protagonist recover, repair, and move on with their life — despite undergoing some pretty significant hardships. And yet, that’s exactly what makes this piece such a fantastic filmmaking achievement. It’s recognizable but inventive. It’s impossible, but it’s honest.