At Musicbed, we believe creative work shapes culture. The music we connect with, the films we remember, and the images that stay with us all begin with people who see the world differently.
Created in collaboration with sister brands Filmsupply and Stills, Film & Music Periodical exists to celebrate those artists, champion their work, and connect the global creative community with the people and ideas shaping today’s most impactful commercial work.
Each issue spotlights the artists, filmmakers, and photographers across the FM family of brands, shaping what’s next, including exclusive artist features and Musicbed artists on tour around the world. Readers can also explore industry trends across film, TV, and advertising, along with creative insights, FM news, and curated recommendations across Musicbed, Filmsupply, and Stills.
Request your copy of the next issue of Film & Music Periodical here.
The publication arrives at a moment when creative industries are shifting toward automation, speed, and generative outputs. While technology continues to evolve, Film & Music Periodical exists as a reminder that meaningful creative work still comes from human perspective, lived experience, and intentional craft.
More than a brand publication, it was created to spark conversation, inspire new ideas, and celebrate the artists and creatives continuing to shape culture in real and lasting ways.
We highlight Musicbed artists, such as 2025 Artist of the Year Evan Honer, who’s currently on a US tour — as well as other chart-topping artists like Drew Holcomb & the Neighbors, Ben Rector, and Anberlin.
But Film & Music Periodical is just as much about format as it is content.
“We wanted to create something physical,” says Musicbed Creative Director Spencer Cogburn. “Something meant to be held, folded open, passed around studios, left on desks, revisited for inspiration, and shared between creative teams.”
Printed as a full-color broadsheet newspaper, the publication was intentionally designed to feel collectible, something worth slowing down for in a digital-first industry constantly optimized for speed.
The first issue is now making its way into agencies, production companies, studios, and creative spaces around the world.
