The Music of Film: A Conversation with Leonardo Dalessandri

Lately we’ve been asking filmmakers why they make films. The question is usually pretty awkward, since most filmmakers haven’t really…

The Best Good Advice: 9 Filmmakers Weigh In

There is so much good advice out there, but almost none of it sticks. For every thousand pieces of advice…

Break the Rules: A Conversation with Ben Knight

How far are you willing to go for your films? Are you willing to break the law? Get arrested? Spend…

Rob Chiu’s Journey from Animator to Director

Like any good story, our careers often make sense only in retrospect. In the moment, the way forward is anything…

Matthew Porterfield on the Power of Unconventional Narratives

Matthew Porterfield, a 39-year-old filmmaker from Baltimore, Maryland, has written and directed four feature films, including Hamilton, Putty Hill, I…

How to Build a Comedy Around One Strong Idea

Tom Levinge’s comedic short, Mister Biscuits, is silly. It suspends reality by putting humans in the roles of beloved pets.…

Director Dylan Allen on Building the Perfect Ensemble Cast

Dylan Allen’s The Privates manages to tackle sci-fi, indie-rock, group dynamics, and merge them into one brilliantly thoughtful short film.…

Ryan Booth on the Importance of Empathy

I recently heard one of my favorite directors, Alejandro González Iñárritu (Birdman, The Revenant), say that his biggest concern for…

7 Tips for Directors from an NYU Directing Coach

There’s no easy way to make a film. The process is incredibly long and complex with a thousand unmarked pitfalls…

Eliot Rausch: “Quick and Easy Answers Bother Me Now.”

Eliot Rausch likes parables and has a habit of turning them into beautiful and thought-provoking, albeit highly ambiguous, short films.…