After Ford Vs. Ferrari, Phedon Papamichael, ASC shares about augmenting a vision, restaging historical events, and capturing a different piece of Americana.
The career of cinematographer Ross Emery, ACS, includes a large number of major effects-heavy science fiction films. His latest project, the HBO Max series Raised by Wolves, is his latest venture into sci-fi territory.
Produced under the Scott Free banner and featuring the first episodic TV work by director Ridley Scott, we talked with Emery about rethinking the sci-fi genre, making room for VFX, and post-production during COVID.
While ‘free will is not free’ sounds like an exhortation from Patrick McGoohan’s ‘Number Six’ character in The Prisoner TV series, it actually serves as the tagline for season 3 of HBO’s Westworld. Continuing to defy expectations and eschew easy answers, showrunners Jonathan Nolan and Lisa Joy have taken the characters – human and otherwise – out of the wish-fulfillment theme parks of Delos Inc. and into the (apparently) real world of Earth 2058.