The value of music in a film isn’t always talked about, or expressed explicitly, so why would they pay for better music if to them it just serves as a filler or background to the imagery? We know it’s so much more than that, so we thought we’d take a shot at explaining why quality music matters for your films.
What do you do when you’re sitting in the same room with quite possibly the most legendary filmmakers of all time? Well, you listen to every word… Every word.
Carl Sprague is a busy guy. You can see it in our conversation with him below. But, more importantly, you can see it on his résumé. Since he began building theater sets at Harvard University (he says it was more rewarding than directing actors), Carl has worked in the art departments of more than 30 films, including Oscar winners like The Social Network, 12 Years a Slave, and The Grand Budapest Hotel. While his collaborators include Stephen Spielberg, Martin Scorsese, Wes Anderson…
When we asked Robert Legato about his success rate at achieving the impossible, he didn’t immediately answer the question. He’d never thought about it. This is the man responsible for the visual effects in films like Apollo 13, Titanic, Avatar, and The Jungle Book. A man fluent in the impossible. And yet overcoming it had rarely occurred to him. It’s the exact mind-set, we soon realized, that makes Robert Legato Robert Legato.