Learning a craft is never easy, and there aren’t any shortcuts. As we’ve talked with filmmakers over the past few months, one question we always ask is “How did you learn how to do what you do?” Sometimes it feels like that’s the only question that really matters, and yet it’s usually the most difficult one to answer. While only some of the people we interviewed attended film school (and even fewer finished), all of these filmmakers are self-taught in their own way. Meaning, filmmaking is something they internalize—they’re constantly learning, discovering, and working it out for themselves. Just in time for the holidays, we’ve compiled a smorgasbord of insights into the benefits of a formal versus a not-so-formal film education. Salud!
Shane Hurlbut, ASC is a legendary cinematographer who’s worked on such blockbusters as Into the Blue (2005), Terminator Salvation (2009), and Act of Valor (2012). After putting this much time into the business, he knows a thing or two about creativity, community, and collaboration. When we talked to Shane, he was color correcting his latest film, Need for Speed (2014), and he graciously took a break to let us hound him with our questions.
You can always tell when someone makes something simply for the love of it. It has this quality that can’t be manufactured. That’s been our driving idea since the beginning of Musicbed: Let musicians make music they love, and filmmakers will want to license it. And also since the beginning of Musicbed, we’ve wondered how we could do the same thing for filmmakers.