There are a lot of conversations surrounding the Vimeo Staff Pick, but no one in the indie film community can question its importance. For many creatives that elusive badge has been the starting point for their career, the moment when they get noticed.
The most interesting things in life happen on the edges. So it’s not surprising that great films are made there too. Weirdly, it’s by exploring extremes that we come to better understand our day-to-day lives and selves. You have to travel far away to fully appreciate being home. At least that’s the operating philosophy for filmmaker Thibaut Grevet, whose film Coste Contemplation not only got him a Vimeo Staff Pick, but also caught the eye of Apple’s marketing department and the ear of our film team when he licensed Musicbed track ‘Speak, We’re Listening’ to score his film.
We’ve been fans of Diego Contreras since before his breakthrough film Islands nabbed a Vimeo Staff Pick in 2013. Since then, his career has been on the rise, taking him briefly through one of the most well-respected ad agencies in history (BBDO), and more recently into the realm of professional filmmaking. Not long ago, he directed two stunning short films for The Lincoln Motor Company, Bloom and Open Your Eyes. And he’s done it all within two years.
e week after graduating from high school, Cale Glendening drove his mom’s car 1,465 miles from Oklahoma to Los Angeles to begin his career as a filmmaker. He didn’t have a plan, a job, or even a place to stay. He’d taken one video production class (and got a C in it), and he would soon be rejected by USC’s film school. But as you’ll see from our conversation below, discouragement has a sort of reverse effect on Cale. It makes him work harder.
Salomon Ligthelm is literally all over the place: all over the world, all over the Internet. And when we Skyped with him recently about the exclusive Musicbed release of the ANOMALY soundtrack, he was all over Defacto Sound’s studio. Outside briefly, inside briefly, popping in and out of various offices and stairwells. Salomon is frenetic in the best possible way. And that energy comes across not just in his conversations, but in the things he creates. It all feels very human and very alive, which, he told us, was exactly what he was after with this latest score (composed by Ryan Taubert).
What’s a more accurate term: passion project or obsession project? If you’re talking about Variable’s latest film, Rocket Wars, then obsession is definitely the right word to use. And not just for the filmmakers, but for the subjects of the film too.
When we landed in Lexington to make our film about Tony Anderson, we had a pretty good idea how things were going to turn out. We’d written a treatment. We’d picked out a few song options. We had a schedule and a shot list and a bunch of little boxes just waiting for us to put a checkmark in them. Overall, we felt pretty confident. We knew when we got back to our office in Fort Worth that we’d be able to put together something decent.