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Filmmakers have always been on the front lines of change, and this cultural moment is no different. As the world reconsiders its perspectives on race, we can play a huge part in furthering that conversation through our own craft. We have the tools, so we may as well put them to good use.
This year, the Musicbed Challenge had a different end goal than in years past. Creatives had an unprecedented chance to re-shape culture during a critical moment in history. So we asked them to use their talents for the greater good. To find a story within their communities, and to make a film that could make a difference.
In Episode 2 of YouTube Masters — an educational series from leading creators, for creators — photography/videography duo Becki + Chris break down the storytelling aspect of filmmaking.
In our first episode, the creators of Yes Theory share 8 tips for building a channel from the ground up. With over 5 million subscribers, it’s safe to say they know what they’re talking about. So start your channel with help from the best. Watch below to hear from Thomas Brag, Matt Dajer, and Ammar Kandil of Yes Theory in Episode 1 of YouTube Masters.
When thinking about the Star Wars universe, “small” is probably not a word that comes to mind. But for Dave Asling, Owner/Creative director of Creation Consultants, Inc., miniatures and models are perfect for creating larger-than-life visual effects. His company’s work on films such as I, Robot, X-Men: The Last Stand, Fantastic Four: Rise of the Silver Surfer, Elysium and Welcome to Marwen, led Disney+ to tap them for work on Star Wars: The Mandalorian.
We founded Musicbed on the belief that creatives have the power to shape culture. Right now, there’s an opportunity to open the eyes of the world. That’s why we’re challenging filmmakers to make a film that can make a difference.
While ‘free will is not free’ sounds like an exhortation from Patrick McGoohan’s ‘Number Six’ character in The Prisoner TV series, it actually serves as the tagline for season 3 of HBO’s Westworld. Continuing to defy expectations and eschew easy answers, showrunners Jonathan Nolan and Lisa Joy have taken the characters – human and otherwise – out of the wish-fulfillment theme parks of Delos Inc. and into the (apparently) real world of Earth 2058.
We’ve talked many times about creative constraints and their value, but sometimes as filmmakers we don’t have the luxury of constraints. As they say, there’s nothing scarier than a blank page, and that’s just what Director Josh McGowan was faced with in his production of Cadillac’s Oscar spot.
For Nike’s Lebron 17 spot, the team at Blue Ox Films knew they needed to do more than think outside the box—they needed to create a new one.